Does your Dog want to be a jockey?
The Truth about Dogs
Whether you call it
puppy dog, push wall or half dog, the version of adho mukha svanasana where the
hands press the wall instead of the floor is a common modification. Theoretically, it takes the pressure out of
wrists, shoulders and necks. Again, theoretically,
this makes the pose more accessible to beginners and other students who don’t
have the strength or ROM, range of motion, in their upper body for a
full-fledged downward facing dog.
In reality,
however, this modification ends up creating compression in the shoulder joints
in many older adults. This happens
despite appropriate alignment cues to ensure a long, neutral spine and
modifying shoulder and wrist placement to accommodate limitations.
In general, older
adults have some hearing loss, some attention deficit and thus some difficulty
following cues without visual confirmation.
That means that in a group class, poses such as puppy dog can be
frustrating and unsuccessful. And that
means that the risks can outweigh the rewards.
Chairs can be a
great solution. Students will be facing
you. When they can see you, they can
hear you. And they will feel calmer and
have more access to feeling what is happening in their bodies. Start from tadasana and press palms into the
top of the chair back. Step by step,
walk the feet back and flex the hips and the shoulders. Take it slowly and repeat cues for a long
spine and shoulder external rotation so that students can pause and sense what
is happening. This will help both
students and teacher to know when they have reached maximum benefit without any
shoulder strain. AND instead, you can take the shoulders out of the equation by
pressing hands into the seat of the chair in a modified ardha uttanasana, half
forward fold.
My favorite
solution is a pose I made up that I call jockey pose. No props are required and it’s a
low-risk/high-rewards pose. From tadasana, take the feet as wide as the
mat for an average adult. Flex the knees and hips like a
chair pose. Place the hands on the
thighs just above the knees with a neutral spine, as if you were in a
huddle. For students with limited hip
flexion, knee flexion or acute low-back issues, the huddle pose is enough. Otherwise, continue with more hip flexion and
neutral spine and press forearms onto thighs.
Press the palms together in Namaste and feel how this gathers and
engages the core. Drive the heels into the floor and the forearms (or hands from the huddle position) into the thighs. Sense how this takes the effort out of the legs to create a steady, "restful" position.
Once the pose feels stable and steady, you can play! The spine “may” be parallel to the floor and the weight in the feet sinks back into the heels (as weight is always more in the heels when the knees are bent in standing poses). Play with straightening the legs more without rounding the back and rocking more weight forward to fronts of feet as you lengthen the hamstrings. And then bend the knees more and rock the weight back into the heels to shift the stretch to the glutes and low back.
Jockey pose eliminates shoulder compression and has enough elements to engage students so they can truly experience “Sthira sukham asanam.”
Once the pose feels stable and steady, you can play! The spine “may” be parallel to the floor and the weight in the feet sinks back into the heels (as weight is always more in the heels when the knees are bent in standing poses). Play with straightening the legs more without rounding the back and rocking more weight forward to fronts of feet as you lengthen the hamstrings. And then bend the knees more and rock the weight back into the heels to shift the stretch to the glutes and low back.
Jockey pose eliminates shoulder compression and has enough elements to engage students so they can truly experience “Sthira sukham asanam.”
Namaste,
Leslie Kazadi
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